by Harriet Rubin ‧ RELEASE DATE: April 1, 2004
In the poem, Dante finds Love; in Rubin, a grateful lover.
A pleasant, informative journey toward perfect love with Dante (and Virgil and Beatrice) through Italy, France, hell, purgatory, and heaven.
Rubin, who has ventured previously into Italian history (The Princessa: Machiavelli for Women, 1997, etc.), this time moves into the Middle Ages and offers an almost ecstatic exegesis of The Divine Comedy, with breezy commentary on all three of its canticles. The author has a lot on her plate: she follows Dante around Italy (and into France and back again) as he is composing the poem; she sketches the cultural and religious history of the age; she explains both the structure and the significance of the Comedy; she shows how it has influenced other writers and how it resonates in contemporary life. And so throughout the text we find allusions to great Dante scholars and teachers (e.g., John Freccero at NYU), samples of translations from Ciardi, Mandelbaum, Pinsky, Merwin, Wicksteed, and even a quick taste of the Binyon-Pound collaboration. Rubin sprinkles her text as well with references to Harry Potter and Pudd’n’head Wilson, Freud and Fellini, People magazine and Matthew Pearl (and Longfellow!), Keats and Eliot, Joyce and Titian, Nijinsky and Jung. She includes details we won’t forget (Tuscan paper comprised old underwear, animal parts, hemp), a few hackneyed images (a butterfly emerging from a cocoon), and some anecdotes that aren’t quite accurate (the story of Shelley’s drowning and cremation and of Trelawny’s snatching from the fire the poet’s unconsumed heart). Still, there are some eye-openers here for general readers and those unfamiliar with the poem. Rubin’s summary of the theory that Dante’s views of Gothic cathedrals in France inspired the architecture of the Comedy, her emphasis on the importance of memory in medieval societies, her unfettered enthusiasm for the poem—these are real attractions. As, for the most part, is her felicitous prose.
In the poem, Dante finds Love; in Rubin, a grateful lover.Pub Date: April 1, 2004
ISBN: 0-7432-3446-4
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2004
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
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