| Samuel Carter Hall - 1837 - 448 pages
...: the dauntless child Stretch'd forth his little arms, and smil'd. " This pencil take," she said, " whose colours clear Richly paint the vernal year:...immortal boy ! This can unlock the gates of Joy ; Of Horrour that, and thrilling fears, Or ope the sacred source of sympathetic tears." Nor second he, that... | |
| Samuel Carter Hall - 1837 - 362 pages
...: the dauntless child Stretch'd forth his little arms, and smil'd. " This pencil take," she said, " whose colours clear Richly paint the vernal year:...immortal boy ! This can unlock the gates of Joy ; Of Horrour that, and thrilling fears, Or ope the sacred source of sympathetic tears." Nor second he, that... | |
| Samuel Carter Hall - 1837 - 438 pages
...vernal year: Thine too these golden keys, immortal boy ! This can unlock the gates of Joy ; Of Horrour that, and thrilling fears, Or ope the sacred source of sympathetic tears." Nor second he, that rode sublime Upon the seraph-wings of Ecstasy, The secrets of th' abyss to spy.... | |
| William Shakespeare - 1838 - 790 pages
...Slretch'd forth his little arms, and smil'd. This pencil take (she said) whose colours clear liichly or. I pray you, let me look upon the bond. Shy. Here...money offer'd thee. Shy. * my soul? No. not lor Ve tear*. GRAY'S Ode on the Progrcu of Patsy. Next Shakspeare sat, irregularly great, And in his hand... | |
| Fitz-Greene Halleck - 1840 - 372 pages
...: The dauntless child Stretch'd forth his little arms, and smiled. " This pencil take," she said, " whose colours clear Richly paint the vernal year :...fears, Or ope the sacred source of sympathetic tears." Nor second he, that rode sublime Upon the seraph-wings of Ecstasy, The secrets of th' abyss to spy.... | |
| William Shakespeare - 1841 - 312 pages
...dauntless child Stretch'd forth its little arms, and smiled. ' This pencil take/ she said, * whose colors clear Richly paint the vernal year ; Thine too these...fears, Or ope the sacred source of sympathetic tears.' GRAY. THE PI ATS «f AK § FI IN FOURTEEN VOLUMES, VOL. XIII. KING LEAR. ROMEO AND JULIET. LONDON :... | |
| Oliver Goldsmith - 1841 - 292 pages
...smiled. "This pencil take (she said) , whose colours clear Richly paint the vernal year : Thine be these golden keys, immortal Boy ! This can unlock...fears, Or ope the sacred source of sympathetic tears." Earl of Surrey and Sir Thomas Wyatt had travelled in Italy, and formed their taste there. Spenser imitated... | |
| Max Kaluza - 1911 - 422 pages
...face: the dauntless Child Stretch'd forth his little arm, and smiled. This pencil take (she said), whose colours clear Richly paint the vernal year; Thine, too, these golden keys, immortal Boy I This can unlock the gates of Joy; Of horror that, and thrilling Fears, Or ope the sacred source of... | |
| Ernst A. Schmidt - 1996 - 500 pages
...child Stretch 'd forth his little arms, and smiled. This pencil take (she said), whose colours clear 90 Richly paint the vernal year: Thine too these golden...fears, Or ope the sacred source of sympathetic tears. Antistrophe 95 Nor second he, that rode sublime Upon the seraph-wings of Ecstasy, The secrets of th'... | |
| Rodney Stenning Edgecombe - 1996 - 304 pages
...in Gray's "Progress of Poesy" in which Shakespeare enters the "apostolic succession" of great poets: ["]Thine too these golden keys, immortal boy! This...fears, Or ope the sacred source of sympathetic tears." 78 God, who entrusted the keys of Heaven and Hell to St. Peter, likewise holds the key to a miraculous... | |
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