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" The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity that blends, and (as it were)... "
The American Whig Review - Page 156
1848
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Friedrich Nietzsche and Weimar Classicism (Studies in German Literature ...

Paul Bishop, Roger H. Stephenson - 2005 - 312 pages
...close to identifying the Weimar program with the traditional topos of the poet's office in general — "he diffuses a tone and spirit of unity, that blends and (as it were)/kr«each to each," as Coleridge has it — 22 the German debate since the late sixties has been...
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Theological Aesthetics: A Reader

Gesa Elsbeth Thiessen - 2005 - 424 pages
...images, thoughts and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination. This power, first put in action...
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Shakespeare and the Ideal of Love

Jill Line - 2006 - 196 pages
...brings the diffuse parts of the soul into unity through the power of the imagination: He. . . brings the whole soul of man into activity, with the subordination...fuses each into each, by that synthetic and magical power to which I would exclusively appropriate the name of Imagination.6 As Prospero, with the help...
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The Scholar's Art: Literary Studies in a Managed World

Jerome McGann - 2006 - 252 pages
...images, thoughts, and emotions of the poet's own mind. A poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...tone, and spirit of unity, that blends, and (as it were)/ttses, each into each, by that synthetic and magical power, to which we have exclusively appropriated...
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Aesthetic Democracy

Thomas Docherty - 2006 - 210 pages
...Coleridge describes the condition of being a poet: The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...diffuses a tone and spirit of unity that blends and fuses . . . each into each, by that synthetic and magical power to which we have exclusively appropriated...
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Reforming Liberalism: J.S. Mill's Use of Ancient, Religious, Liberal, and ...

Robert Devigne - 2008 - 319 pages
...transforming it into one harmonious, beautiful entity. "The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...each other, according to their relative worth and dignity."38 In true Platonic fashion, Coleridge argued it is illuminating to evaluate all particular...
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Literary Couplings: Writing Couples, Collaborators, and the Construction of ...

Marjorie Stone, Judith Thompson - 2007 - 392 pages
...images, thoughts, and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. (BL, 2:15- 16) What this...
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From Nature to Experience: The American Search for Cultural Authority

Roger Lundin - 2007 - 282 pages
...of poetry, that "the poet, described in ideal perfection, brings the whole soul of man into activity He diffuses a tone, and spirit of unity, that blends,...fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination."30 Coleridge saw his theory...
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Romanticism After Auschwitz

Sara Emilie Guyer - 2007 - 392 pages
...one is involved in the solution of the other. . . . The poet described in ideal perfection, brings the whole soul of man into activity, with the subordination...other, according to their relative worth and dignity" (2: 15-16). Wordsworth's account of the poet, which I reproduce only in part, quickly renders the "natural"...
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Guy Davenport: Postmodern and After

Andre Furlani - 2007 - 300 pages
...whole of them" (quoted in Gardner 1978, 14). In the Biographia Literaria Coleridge claims that the poet "diffuses a tone and spirit of unity, that blends,...fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination . . . [Imagination] forms...
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