...Leistungen, die die .secondary imagination' vollbringt, beschrieben: "He [the poet] diffuses a tone, and a spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination." 204 Die sekundäre Einbildungskraft...

...unity in their difference. In Coleridge's own words: The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power [...] reveals...

...distinct gratification from each component part.' 'The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...other, according to their relative worth and dignity.' The poet diffuses a 'spirit of unity' by the power of imagination and balances or reconciles 'opposite...

...(in great literary works) becomes a central point: 'The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...other, according to their relative worth and dignity' (BL ii. 15-16); and see 497. Locke and Hume appear as prominent representatives of the native empiricist...

...larger sense of process or continuum, one which recalls Coleridge's characterization of the poet's "tone and spirit of unity that blends and (as it were)...fuses each into each by that synthetic and magical power to which I would exclusively appropriate the name of imagination."65 Objects in Raine tend to...

...definition of the imagination is still that given by Coleridge in his discussion of the ideal poet: He diffuses a tone and spirit of unity, that blends,...fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power, first put in...

...act of perception, but self-consciously manifest in poetry, where it reveals itself as the power that 'diffuses a tone, and spirit of unity, that blends, and (as it were) fuses, each into each' (BL ii 16). The overriding sense of unity is still the same, but now it is subjectively achieved, its...

...preach a separate and all-sufficient agenda of beauty, Coleridge instead affirms that the poet "brings the whole soul of man into activity, with the subordination...to their relative worth and dignity. He diffuses a ... spirit of unity that blends and . . . fuses, each into each, by that synthetic . . . power ......

..."amassing harmony" of its "difference." Or, as Coleridge had it, the imaginative power of metaphor which "diffuses a tone and spirit of unity that blends and (as it were) fuses, each to each . . . reveals itself in the balance or reconciliation of opposite or discordant qualities:...

...definition of the imagination is still that given by Coleridge in his discussion of the ideal poet: He diffuses a tone and spirit of unity, that blends, and (as it were)/«*«, each into each, by that synthetic and magical power, to which we have exclusively appropriated the...