 | George Augustus Sala, Edmund Yates - 1870 - 578 pages
...which he afterwards alluded, as the victim and the partaker of his guilt, in the verses which begin : " I speak not, I trace not, I breathe not thy name —...is grief in the sound, there is guilt in the fame." " has advised me (without seeing it, by-the-bye) not to publish Zuleika. I believe he is right, but... | |
 | 1869 - 986 pages
...by the way, was never published till after his death, which seems at this time significant : — " I speak not, I trace not, I breathe not thy name,...is grief in the sound, there is guilt in the fame ; ***** Too brief for our passion, too long for oar peace Were those hours — can their joy or their... | |
 | Ernest Augustus Boyd - 1927 - 288 pages
...to Augusta," the third canto of "Childe Harold," "Stanzas to Augusta," and the famous poem beginning I speak not — I trace not — I breathe not thy name — There is love in the sound — there is Guilt in the fame — fail to convince the pedagogues, the most recent... | |
 | George Gordon Byron Baron Byron - 1904 - 606 pages
...not talk of Love to thee. STANZAS FOR MUSIC.1 z. I SPEAK not, I trace not, I breathe not thy name,L There is grief in the sound, there is guilt in the fame : i. I speah not — 1 breathe not — luTite not t!:at name. — [MS. erased.] I. ["Thou hast asked... | |
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I SPEAK not, I trace not, I breathe not thy name, There is grief in the sound, there is guilt in the fame : But the tear which now burns on my cheek may impart The deep thoughts that dwell in that silence of heart. 
