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" O let me not be mad, not mad, sweet heaven ! Keep me in temper ; I would not be mad ! — Enter Gentleman. "
The Quarterly Review - Page 187
edited by - 1833
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King Lear. Romeo and Juliet

William Shakespeare - 1841 - 312 pages
...time. Lear. How 's that ? Fool. Thou shouldst not have been old before thou hadst been wise. Lear. O let me not be mad, not mad, sweet Heaven ! Keep me in temper : I would not be mad ! Enter GENTLEMAN. How now ? Are the horses ready ? Gen. Ready, my lord. Lear. No. ACT II. KINC LEAR....
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The plays and poems of Shakespeare, according to the improved ..., Volume 13

William Shakespeare - 1842 - 340 pages
...time. Lear. How 's that ? Fool. Thou shouldst not have been old before thou hadst been wise. Lear. O let me not be mad, not mad, sweet Heaven ! Keep me in temper : I would not be mad ! Enter GENTLEMAN. How now ? Are the horses ready ? Gen. Ready, my lord. Lear. Come, boy. Fool. She...
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The Works of William Shakspeare: The Text Formed from an Intirely ..., Volume 7

William Shakespeare - 1843 - 652 pages
...time-. Lear. How's that ? Fool. Thou shouldst not have been old before thou hadst been wise. Lear. O, let me not be mad, not mad, sweet heaven ! Keep me in temper : I would not be mad ! — Enter Gentleman. How now ! Are the horses ready ? Gent. Ready, my lord. Lear. Come, boy. Fool....
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The Works of Shakespere, Volume 2

William Shakespeare - 1843 - 582 pages
...time, Lear. How's that? Fool. Thou shouldst not have been old before thou hadst been wise. Lear. O let me not be mad, not mad, sweet heaven ! Keep me in temper : I would not be mad ! Enter Gentleman. How now ! Are the horses ready ? Getit. Ready, my lord. Lear. Come, boy. Fool. She...
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The works of Shakspere, revised from the best authorities: with a ..., Volume 2

William Shakespeare - 1843 - 594 pages
...time. Lear. How's that? Foot. Thou shouldst not have been old before thou hadst been wise. Lear. O let me not be mad, not mad, sweet heaven ! Keep me in temper : I would not be mad .' Enter Gentleman. How now ! Are the horses ready .' Gent. Ready, my lord. Lear. Come, boy. Fool....
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The works of William Shakespeare, the text formed from an entirely ..., Volume 7

William Shakespeare - 1843 - 646 pages
...time. Lear. How's that ? Fool. Thou shouldst not have been old before thou hadst been wise. Lear. O, let me not be mad, not mad, sweet heaven ! Keep me in temper : I would not be mad ! — Enter Gentleman. How now ! Are the horses ready ? Gent. Ready, my lord. Lear. Come, boy. Fool....
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Religious and Moral Sentences Culled from the Works of Shakespeare: Compared ...

William Shakespeare, Sir Frederick Beilby Watson - 1843 - 264 pages
...king's name be obey'd : And what God will, that let your king perform. 3 HENRY VI. iii. 1. HEAVEN. O let me not be mad, not mad, sweet Heaven ! Keep me in temper : I would not be mad ! KIM; LEAR, i. S. Heaven ! be Thou gracious to none alive, If Salisbury wants mercy at Thy hands....
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Handley Cross; or, the Spa hunt, by the author of 'Jorrocks' jaunts and ...

Robert Smith Surtees - 1843 - 974 pages
...disinterested old women generally talk, though they know that nobody believes them. CHAPTER IX. O let me not be mad, sweet heaven ! Keep me in temper ; I would not be mad !" SHAUPIAM. THE monotony of Mr. Jorrocks' summer life seemed likely to be more than compensated by...
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The Plays and Poems of William Shakespeare: Printed from the Text ..., Volume 6

William Shakespeare - 1844 - 554 pages
...time. Lear. How 's that? Fool. Thou shouldst not have been old before thou hadst been wise. Lear. O, let me not be mad, not mad, sweet heaven! Keep me in temper : I would not be mad ! — Enter Gentleman. How now ! Arc the horses ready? Gent. Ready, my lord. Lear. Come, boy. Fool....
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Notes and Lectures Upon Shakespeare and Some of the Old Poets and ..., Volume 1

Samuel Taylor Coleridge - 1849 - 396 pages
...of him had royalized his state, may be some little excuse for Albany's weakness. Ib. sc. 5. Lear, O let me not be mad, not mad, sweet heaven ! Keep me in temper ! I would not be mad ! — The mind's own anticipation of madness ! The deepest tragic notes are often struck by a half...
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