Beckett's Dantes: Intertexuality in the Fiction and CriticismManchester University Press, 2005 - 232 pages This is the first study in English on the literary relation between Beckett and Dante. It is a clear and innovative reading of Samuel Beckett and Dante's works and a critical engagement with contemporary theories of intertextuality. Caselli gives an original intertextual reading of Beckett's work, detecting previously unknown quotations, allusions to, and parodies of Dante in Beckett's fiction and criticism. |
Contents
Acknowledgements page | 1 |
Dantes in Limbo | 10 |
Belacqua does not observe the rule of the road | 35 |
intratextuality in More Pricks Than Kicks | 57 |
Murphy and Watt | 81 |
Who is the third beside you? Authority in Mercier and Camier | 102 |
Other editions - View all
Beckett's Dantes: Intertextuality in the Fiction and Criticism Daniela Caselli No preview available - 2005 |
Common terms and phrases
Addenda allusions already appears argues authority becomes beginning Belacqua body c'est called Calmative Camier canto character claims close Comedy construction creates critical damned Dante Dante's Dantean described discussion Dream English example existence eyes face fiction figure French further Grove Hell idea indicates Inferno intertextual intratextual invisible Italy John Journal Joyce language later less light literary Literature London look Lost material meaning memory Mercier movement Murphy narrative narrator nature notion observed once opening origin passage plays poem poet position possible presence Purg Purgatorio question quotation quoted reality reference relation repetition reproduced rest Samuel Beckett seen sense space speak story structure Studies term textual tion translated turn University Press vernacular Virgil visibility voice vulgari Watt witness writing York