From grave to jovial you must change with art, Now play the critic's, now the poet's part; In raillery assume a gayer air, Discreetly hide your strength, your vigour spare; For ridicule shall frequently prevail, And cut the knot, when graver reasons fail. Works - Page 225by Horace - 1807Full view - About this book
| Horace - 1806 - 492 pages
...a bursting laugh to raise, And yet even this may well deserve its praise ; Close be your language ; let your sense be clear. Nor with a weight of words fatigue the ear. From grave to jovial you must change with art. How play the critic's, now the poet's part; In raillery... | |
| Lodovico Ariosto - 1807 - 318 pages
...line : The coke is scalded for all his long ladell. Again, As ^sop's dogs contending for the bone t. * Now change from grave to gay with ready art, Now play...Discreetly hide your strength, your vigour spare. FRANCIS. •t Dryden has turned the first line thus : " No writer has more religiously observed the... | |
| Hugh Blair - 1815 - 582 pages
...cleared of redundant words, so also of redundant members. As every word ought to present a new idea, ' " Concise your diction, let your sense be clear, " Nor with a weight of wordp, fatigue the ear. FRANCIS. so every member ought to contain a new thought. Opposed to this, stands... | |
| Hugh Blair - 1820 - 538 pages
...Sentences acquire more vigour and energy when thus retrenched; provided always, that we run not into * " Concise your diction, let your sense be clear, " Nor with a weight of words, fatigue the ear." FRANCIS the extreme of pruning so very close, as to give a hardness and dryness to style. For here,... | |
| Hugh Blair - 1822 - 164 pages
...that part of the sentence where they will make the fullest impression. Q, What is the fourth ? \ * " Concise your diction, let your sense be clear, Nor with a weight of words, fatigue the ear." HORACE A. Make the members of the sentence go on rising in their importance one above another. Q, What... | |
| British poets - 1822 - 286 pages
...bursting laugh to raise, And yet e'en this may well deserve its praise: Close be your language; Jet your sense be clear, Nor with a weight of words fatigue the ear. From grave to jovial you must change with art, Now play the critic's, now the poet's part; In raillery... | |
| Hugh Blair - 1823 - 458 pages
...those useless excrescences which are commonly found in a first draught. Here a severe eye should be " Concise your diction, let your sense be clear, Nor with a weight of words fatigue the ear." FRANCIS. employed ; and we shall always find our sentences acquire more vigour and energy when thus... | |
| John Wesley - 1827 - 580 pages
...gives, ' Est hrevitate opus, ut currat scntentia, ucu se Impediat vcrbis lassas oiieraiitibus aures.' ' Concise your diction, let your sense be clear, Nor with a weight of words fatigue the ear.' In his Works, we may observe his words are well chosen, being pure, proper to his subject, and precise... | |
| Richard Watson - 1831 - 346 pages
...* He, however, employed much leisure time whilst at college in the study of anatomy and medicine. ' Concise your diction, let your sense be clear, Nor with a weight of words fatigue the ear.' In all his writings his words are well chosen, pure, proper to his subject, and precise in their meaning.... | |
| Hugh Blair - 1833 - 654 pages
...cleared of redundant words, so also of redundant members. As every word ought to present a new idea, * " Concise your diction, let your sense be clear, " Nor with a weight of words, fatigue the tar.'' FIU.KCIS so every member ought to contain a new thought. Opposed to this, stands the fault we... | |
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