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" Since no given set or sequence of real events is intrinsically tragic, comic, farcical, and so on, but can be constructed as such only by the imposition of the structure of a given story type on the events, it is the choice of the story type and its imposition... "
Australian Political Lives: Chronicling Political Careers and Administrative ... - Page 48
edited by - 2006 - 130 pages
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The Content of the Form: Narrative Discourse and Historical Representation

Hayden White - 1990 - 264 pages
...the weight of being told as any number of different kinds of stories. Since no given set or sequence of real events is intrinsically tragic, comic, farcical,...given story type on the events, it is the choice of the story type and its imposition upon the events that endow them with meaning. The effect of such...
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Milton and the Drama of History: Historical Vision, Iconoclasm, and the ...

David Loewenstein - 1990 - 216 pages
...events, as Hayden White reminds us, is a distinctly literary operation since historical events are not "intrinsically tragic, comic, farcical, and so on,...imposition of the structure of a given story type on the events."17 The representation depends, of course, on the ideological point of view of the historiographer...
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Historiography Between Modernism and Postmodernism: Contributions to the ...

Jerzy Topolski - 1994 - 244 pages
...given set or sequence of real events" has intrinsically narrative features; they acquire these features "only by the imposition of the structure of a given story type on the events".3 Clearly the skeptical view expressed by these two thinkers involves three key conceptions:...
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On 'what is History?': From Carr and Elton to Rorty and White

Keith Jenkins - 1995 - 216 pages
...different narrative ways (as Rorty has put it, anything can be redescribed): Since no given set or sequence of real events is intrinsically tragic, comic, farcical,...given story type on the events, it is the choice of the story type and its imposition upon the events that endow them with meaning.. . . There is no way...
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The Persistence of History: Cinema, Television, and the Modern Event

Vivian Carol Sobchack - 1996 - 280 pages
...the weight of being told as any number of different kinds of stories. Since no given set or sequence of real events is intrinsically tragic, comic, farcical,...given story type on the events, it is the choice of the story type and its imposition upon the events that endow them with meaning. — Hayden White, The...
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National Deconstruction: Violence, Identity, and Justice in Bosnia

David Campbell - 1998 - 323 pages
...the weight of being told as any number of different kind of stories. Since no given set or sequence of real events is intrinsically tragic, comic, farcical,...given story type on the events, it is the choice of the story type and its imposition upon the events that endow them with meaning. The effect of such...
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Mythologies of Violence in Postmodern Media

Christopher Sharrett - 1999 - 460 pages
...the weight of being told as any number of different kinds of stories. Since no given set or sequence of real events is intrinsically tragic, comic, farcical,...given story type on the events, it is the choice of the story type and its imposition upon the events that endow them with meaning. —Hayden While* White's...
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War, Institutions, and Social Change in the Middle East

Steven Heydemann - 2000 - 383 pages
...Development and Social Change in Rural Egypt, p. 163. 9. White remarks, "Since no given set or sequence of real events is intrinsically tragic, comic, farcical,...given story type on the events, it is the choice of the story type and its imposition upon the events that endow them with meaning." "The Question of Narrative...
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The History and Narrative Reader

Geoffrey Roberts - 2001 - 470 pages
...given set or sequence of real events" has intrinsically narrative features; they acquire these features "only by the imposition of the structure of a given story type on the events."1 Clearly the skeptical view expressed by these two thinkers involves three key conceptions:...
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Chicana Feminisms: A Critical Reader

Gabriela F. Arredondo - 2003 - 410 pages
...the weight of being told as any number of different kinds of stories. Since no given set or sequence of real events is intrinsically tragic, comic, farcical,...given story type on the events, it is the choice of the story type and its imposition upon the events that endow them with meaning" (1987, 4). White is...
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