Modernism: An Anthology of Sources and DocumentsUniversity of Chicago Press, 1998 - 632 pages From Bauhaus to Dada, from Virginia Woolf to John Dos Passos, the Modernist movement revolutionized the way we perceive, portray, and participate in the world. This landmark anthology is a comprehensive documentary resource for the study of Modernism, bringing together more than 150 key essays, articles, manifestos, and other writings of the political and aesthetic avant-garde between 1840 and 1950. By favoring short extracts over lengthier originals, the editors cover a remarkable range and variety of modernist thinking. Included are not just the familiar high modernist landmarks such as Gustave Flaubert, Ezra Pound, and James Joyce, but also a diverse representation from the sciences, politics, philosophy, and the arts, including Charles Darwin, Thorstein Veblen, W. E. B. Du Bois, Isadora Duncan, John Reed, Adolf Hitler, and Sergei Eisenstein. Another welcome feature is a substantial selection of hard-to-find manifestos from the many modernist movements, among them futurism, cubism, Dada, surrealism, and anarchism. |
Contents
V | 5 |
VII | 6 |
VIII | 8 |
IX | 10 |
XI | 12 |
XII | 17 |
XIV | 22 |
XVI | 27 |
CXXXIX | 301 |
CXL | 302 |
CXLII | 303 |
CXLIII | 304 |
CXLIV | 305 |
CXLV | 307 |
CXLVII | 312 |
CXLVIII | 315 |
XVIII | 31 |
XIX | 33 |
XX | 36 |
XXII | 38 |
XXIV | 41 |
XXVI | 47 |
XXVIII | 51 |
XXX | 60 |
XXXII | 65 |
XXXIII | 68 |
XXXV | 72 |
XXXVI | 77 |
XXXVIII | 81 |
XL | 83 |
XLI | 85 |
XLIII | 87 |
XLV | 91 |
XLVI | 93 |
XLVIII | 94 |
L | 97 |
LII | 98 |
LIV | 102 |
LVI | 109 |
LVIII | 111 |
LX | 112 |
LXII | 115 |
LXIII | 119 |
LXV | 120 |
LXVI | 123 |
LXVIII | 127 |
LXX | 129 |
LXXI | 131 |
LXXIII | 134 |
LXXV | 136 |
LXXVI | 140 |
LXXVII | 145 |
LXXIX | 147 |
LXXX | 150 |
LXXXII | 154 |
LXXXIII | 160 |
LXXXIV | 165 |
LXXXV | 167 |
LXXXVI | 169 |
XC | 174 |
XCI | 178 |
XCII | 185 |
XCIII | 189 |
XCIV | 192 |
XCVI | 194 |
XCVII | 198 |
XCVIII | 200 |
XCIX | 201 |
CI | 207 |
CIII | 211 |
CIV | 214 |
CVI | 217 |
CVII | 221 |
CIX | 223 |
CXI | 225 |
CXIII | 229 |
CXIV | 232 |
CXVI | 237 |
CXVIII | 238 |
CXIX | 240 |
CXXI | 242 |
CXXIII | 247 |
CXXIV | 249 |
CXXV | 257 |
CXXVI | 258 |
CXXVII | 262 |
CXXVIII | 268 |
CXXIX | 270 |
CXXX | 276 |
CXXXI | 281 |
CXXXII | 287 |
CXXXIII | 291 |
CXXXIV | 295 |
CXXXVI | 298 |
CXXXVII | 299 |
CXLIX | 317 |
CL | 319 |
CLII | 321 |
CLIV | 323 |
CLVI | 331 |
CLVII | 333 |
CLIX | 334 |
CLXI | 337 |
CLXII | 342 |
CLXIV | 344 |
CLXV | 351 |
CLXVII | 354 |
CLXIX | 357 |
CLXXI | 362 |
CLXXII | 364 |
CLXXIV | 366 |
CLXXV | 373 |
CLXXVI | 382 |
CLXXVII | 386 |
CLXXVIII | 388 |
CLXXX | 391 |
CLXXXI | 397 |
CLXXXIII | 399 |
CLXXXV | 401 |
CLXXXVII | 403 |
CLXXXIX | 405 |
CXCI | 411 |
CXCIII | 417 |
CXCV | 421 |
CXCVII | 425 |
CXCVIII | 429 |
CC | 433 |
CCI | 439 |
CCII | 443 |
CCIV | 448 |
CCVI | 449 |
CCVII | 455 |
CCVIII | 457 |
CCIX | 461 |
CCX | 465 |
CCXII | 470 |
CCXIII | 472 |
CCXV | 477 |
CCXVI | 479 |
CCXVII | 485 |
CCXVIII | 488 |
CCXX | 493 |
CCXXII | 496 |
CCXXIV | 502 |
CCXXVII | 504 |
CCXXIX | 508 |
CCXXX | 513 |
CCXXXII | 518 |
CCXXXIV | 523 |
CCXXXVI | 524 |
CCXXXVII | 526 |
CCXXXIX | 529 |
CCXLI | 530 |
CCXLIII | 536 |
CCXLIV | 539 |
CCXLV | 542 |
CCXLVII | 545 |
CCXLIX | 548 |
CCL | 551 |
CCLII | 556 |
CCLIII | 560 |
CCLIV | 563 |
CCLV | 577 |
CCLVIII | 584 |
CCLX | 591 |
CCLXII | 595 |
CCLXIV | 597 |
CCLXV | 601 |
CCLXVII | 605 |
CCLXVIII | 610 |
CCLXX | 617 |
CCLXXII | 619 |
623 | |
Other editions - View all
Modernism: An Anthology of Sources and Documents Vassiliki Kolocotroni,Jane Goldman,Olga Taxidou No preview available - 1999 |
Common terms and phrases
abstract activity American appear artist beauty become beginning believe better called character common complete consciousness continue create critic culture direct dream effect elements emotion English everything existence experience expression eyes fact feeling force future give hand human idea imagination important individual intellectual interest Italy kind language less literary literature living look mass material matter means mind movement nature Negro never novel object once organic original painting past perhaps person play poem poet poetry political possible present produce published question reality reason relation revolutionary seems sense social society soul spirit stage symbols theatre things thought translated true turn understand University whole woman writer young
References to this book
Fictions of Commodity Culture: From the Victorian to the Postmodern Christoph Lindner No preview available - 2003 |
Images of Idiocy: The Idiot Figure in Modern Fiction and Film Martin Halliwell No preview available - 2004 |