Spoken Image: Photography and Language

Front Cover
Reaktion Books, 1999 M08 1 - 356 pages
Language has always been central to the meaning and exploitation of photographic images. However, the various types and "styles" of language associated with different photographic genres have been largely overlooked. This book considers the nature of photography, examining the language used in titles, captions and commentaries, particularly as they relate to documentary photography, photojournalism and fashion photography.

The Spoken Image addresses the question of how the photograph communicates its message, with or without the aid of language. The book looks at the work of film-makers such as Antonioni and Greenaway to contrast filmic methods of narration with those of photography. Scott concludes that photography has arrived at a level of communicative sophistication equal to that of modern textual narratives, in conjunction with which it often works.
 

Contents

Acknowledgements
7
The Nature of Photography
17
Projecting
46
Listening to the Documentary Photographer
75
The Behaviour of Captions in the Press
99
The Language of Fashion Photography
151
Narrative and Timelapse Photography
163
The Rise
184
The Narrative Resources of the Photograph
215
The Other Way of Telling of John Berger
251
Modern Narrative in Photograph
292
References
329
Select Bibliography
349
Copyright

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About the author (1999)

Clive Scott is Professor of European Literature at the University of East Anglia and has published several books on French poetry, including The Poetics of French Poetry (1998).

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