Die Sprache als Kunst, Volume 2 |
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Common terms and phrases
Aehnlich Allegorie allgemein Alten Anon Aristoteles Ausdruck Bedeutung Begriff beiden Beispiele bemerkt besonders bestimmten bezeichnet Bezeichnung Bezug Bild bloss Cicero citirt Darstellung eben eigentlichen einzelnen Epigramm ersten Fabel Fall ferner Figur finden findet Form führt ganze geben Gedanken giebt Gleich Gleichniss Göthe grösseren heisst Hermogenes Ilias Kunst Laut Leben leicht lichen Menschen Metapher Metonymie muss Namen Natur nennt Neueren oben Poesie quae quam quid Quint Quintilian quod Rede Reim Rhet rhetorischen sagen sagt Satz Schiller Sinn soll Sprache Sprachkunst Sprüchwort statt steht Stelle sunt terminus Theil Tropus unserer Unterschied Verse viel VIII Virg Vorgang weiter wenig Werke Wirkung Witz wohl Wort zeigt γὰρ δὲ ἐν ἐπὶ καὶ κατὰ μὲν οὐ περὶ τὰ τε τὴν τῆς τὸ τὸν τοῦ τῶν ὡς
Popular passages
Page 236 - His life was gentle; and the elements So mix'd in him, that Nature might stand up, And say to all the world, This was a man!
Page 24 - I conjure you, by that which you profess, (Howe'er you come to know it,) answer me : Though you untie the winds, and let them fight Against the churches ; though the yesty waves Confound and swallow navigation up; Though bladed corn be lodg'd, and trees blown down; Though castles topple on their warders...
Page 20 - Flowers of all hue, and without thorn the rose : Another side, umbrageous grots and caves Of cool recess, o'er "which the mantling vine Lays forth her purple grape, and gently creeps Luxuriant; meanwhile murmuring waters fall Down the slope hills, dispersed, or in a lake, That to the fringed bank with myrtle crowned Her crystal mirror holds, unite their streams.
Page 86 - Nur der verdient sich Freiheit wie das Leben, Der täglich sie erobern muß!
Page 53 - O! coward conscience, how dost thou afflict me. The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What! do I fear myself? there's none else by Richard loves Richard; that is, I am I.
Page 44 - I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, not without cause ; What cause withholds you then to mourn for him ? O judgment ! thou art fled to brutish beasts, And men have lost their reason. Bear with me, My heart is in the coffin there with Caesar, And I must pause till it come back to me.
Page 197 - And do you now put on your best attire? And do you now cull out a holiday? And do you now strew flowers in his way That comes in triumph over Pompey's blood? Be gone! Run to your houses, fall upon your knees, Pray to the gods to intermit the plague That needs must light on this ingratitude.
Page 42 - No, you unnatural hags, I will have such revenges on you both, That all the world shall — I will do such things — What they are yet I know not ; but they shall be The terrors of the earth.
Page 186 - Denn eben wo Begriffe fehlen, Da stellt ein Wort zur rechten Zeit sich ein.
Page 180 - Wherein you dress'd yourself? Hath it slept since? And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour As thou art in desire ? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting 'I dare not' wait upon 'I would,' Like the poor cat i
Bibliographic information
| Title | Die Sprache als Kunst, Volume 2 Die Sprache als Kunst, Gustav Gerber |
| Author | Gustav Gerber |
| Publisher | Mittler'sche Buchhandlung, H. Hayfelder, 1873 |
| Original from | Oxford University |
| Digitized | 26 Jun 2007 |
| Length | 301 pages |
| Export Citation | BiBTeX EndNote RefMan |