 The maiden paused, as if again She thought to catch the distant strain. With head upraised, and look intent, And eye and ear attentive bent, And locks flung back, and lips apart, Like monument of Grecian art, In listening mood, she seemed to stand, The...  Aeneidea, Or, Critical, Exegetical, and Aesthetical Remarks on the Aeneis ... - Page 775by James Henry - 1873Full view - About this book
 | Edmund Burke - 1812 - 850 pages
...strain. With head up-rais'd, and look intent, And eye and ear attentive Uut, Ana And locks flung back, and lips apart, Like monument of Grecian art, In listening mood, she seem'd to sland The guardian Naiad of the strand. / And ne'er did Grecian chisel trace A Nymph, a Naiad,... | |
 | Enos Bronson - 1810 - 462 pages
...strain, With head up-raised, and look intent, And eye and ear attentive bent, And locks flung back, and lips apart, Like monument of Grecian art. In listening...guardian Naiad of the strand. " And ne'er did Grecian chizzel trace A Nymph, a Naiad, or a Grace, Of finer form, or lovelier face ! "What though the sun,... | |
 | 1810 - 482 pages
...strain. " With head up-raised, and look intent, " And eye and et attentive bent, " And locks flung back, and lips apart, " Like monument of Grecian art. "...guardian Naiad of the strand. " And ne'er did Grecian chizzel trace " A Nymph, a Naiait, or a Grace, " Of finer form, or lovelier face ! " What though the... | |
 | 1810 - 590 pages
...strain, With head up-raised, and look intent, And eye and ear attentive bent, And locks flung back, and lips apart, Like monument of Grecian art. In listening...guardian naiad of the strand. 'And ne'er did Grecian chizzel trace A nymph, a naiad, or a grace, Of finer form, or lovelier face! What though the sun with... | |
 | Walter Scott - 1810 - 454 pages
...strain, With head up-raised, and look intent, And eye and ear attentive bent, And locks flung back, and lips apart, Like monument of Grecian art. In listening...seemed to stand The guardian Naiad of the strand. XVIII. And ne'er did Grecian chizzel trace A N3rmph, a Naiad, or a Grace, , Of finer form, or lovelier... | |
 | 1812 - 822 pages
...strain. With head up-rais'd, and look intent, And eye and ear attentive bent. And And locks flung back, and lips apart, Like monument of Grecian art, In listening mood, she seem'd to staud The guardian Naiad of the strand. And ne'er did Grecian chisel trace A Nymph, a Naiad,... | |
 | Sir Walter Scott - 1818 - 410 pages
...strain. With head up-raised, and look intent, And eye and ear attentive hent, And locks flung hack, and lips apart. Like monument of Grecian art. In listening...seemed to stand, The guardian Naiad of the strand. xvm. And ne'er did Grecian chisel trace A Nymph, a Naiad, or a Grace, Of finer form, or lovelier face... | |
 | sir Walter Scott (bart.) - 1820 - 282 pages
...strain. With head up-raised, and look intent, And eye and ear attentive bent, And locks flung back, and lips apart, Like monument of Grecian art, In listening mood, she seem'd to stand The guardian Naiad of the strand. XVIII. And ne'er did Grecian chisel trace A Nymph,... | |
 | Walter Scott - 1822 - 400 pages
...strain. With head up-raised, and look intent, And eye and ear attentive bent, And locks flung back, and lips apart, Like monument of Grecian art, In listening mood, she seem'd to stand The guardian Naiad of the strand. XVIII. And ne'er did Grecian chisel trace A Nymph,... | |
 | Charles Burton - 1823 - 234 pages
...strain. With head up-raised, and look intent, And eye and ear attentive bent, And locks flung back, and lips apart, Like monument of Grecian art, In listening...seemed to stand The guardian Naiad of the strand. What though upon her speech there hung The accents of the mountain tongue,— Those silver sounds,... | |
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