From the Erotic to the Demonic : On Critical Musicology: On Critical Musicology

Front Cover
Oxford University Press, USA, 2003 M03 11 - 272 pages
From the Erotic to the Demonic: On Critical Musicology demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by ninety musical examples taken from such diverse sources as opera, symphonic music, jazz, and nineteenth- and twentieth-century popular songs. Derek Scott offers new insights on a range of "high" and "low" musical styles, and the cultures that produced them.
 

Contents

INTRODUCTION
3
PART ONE SEXUALITY GENDER AND MUSICAL STYLE
10
The Native American in Popular Music
61
Bruckner and the Dialectic of Darkness
103
Liszt and the Demonic
128
Orientalism and Musical Style
155
The Impact of AfricanAmerican Music Making on
179
NOTES
203
Copyright

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