Aleksander Wat: Life and Art of an Iconoclast

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Yale University Press, 1996 M01 1 - 369 pages
Aleksander Wat was, in many ways, the archetypal Central European intellectual of the mid-twentieth century, a man who experienced and influenced all the tumultuous political and artistic movements of his time. Yet little has been published about him, even in his native Poland. This book is the first account of Wat's turbulent life, accompanied by a thorough analysis of his extraordinary poems and prose works in their diverse periods and genres. Tomas Venclova, himself a poet of international renown, has uncovered numerous new biographical details, made the surprising discovery of an unfinished novel Wat began fifty years ago, and woven together the themes of Wat's life and work.
At different times a futurist, surrealist, and Communist fellow traveler, Wat turned away from communism after his imprisonment by the Soviet secret police and became a vociferous spokesman for democracy. Venclova tells Wat's story from his Polish-Jewish upbringing in the early 1900s, his participation in the literary avant-garde in the 1920s, and his work as editor of an influential Communist journal before World War II through his emigration to the West in 1959 and his death in 1967. Venclova argues convincingly that Wat's literary achievement promoted the rejuvenation of Polish and East European letters after the Stalinist era. His broad intellectual influence on many, including Czeslaw Milosz, helped to consolidate the moral and political opposition to totalitarian ideology that has profoundly changed political realities in the late twentieth century.
 

Contents

Two Futurism 19191924
17
THREE Pug Iron Stove
45
FOUR Radical Left 19241928
69
FIVE The Early Fiction
84
SIX Communism 19281939
107
SEVEN Prison and Kazakhstan 19391946
130
EIGHT In Postwar Poland 19461957
158
An Attempt at Reconstruction
183
TEN The New Poetics
199
ELEVEN Emigration 19571967
236
TWELVE A Critique of Stalinist Reason
254
The Poetry of Exile
279
Notes
309
Select Bibliography
347
Index
361
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About the author (1996)

Tomas Venclova is professor of Russian and East European literatures at Yale University.

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