Art, Culture, and Media Under the Third Reich

Front Cover
Richard A. Etlin
University of Chicago Press, 2002 M10 15 - 384 pages
Art, Culture, and Media Under the Third Reich explores the ways in which the Nazis used art and media to portray their country as the champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda, this volume contributes to Holocaust studies by revealing how multiple domains of cultural activity served to conceptually dehumanize Jews and other groups.

Contributors address nearly every facet of the arts and mass media under the Third Reich—efforts to define degenerate music and art; the promotion of race hatred through film and public assemblies; views of the racially ideal garden and landscape; race as portrayed in popular literature; the reception of art and culture abroad; the treatment of exiled artists; and issues of territory, conquest, and appeasement. Familiar subjects such as the Munich Accord, Nuremberg Party Rally Grounds, and Lebensraum (Living Space) are considered from a new perspective. Anyone studying the history of Nazi Germany or the role of the arts in nationalist projects will benefit from this book.

Contributors:
Ruth Ben-Ghiat
David Culbert
Albrecht Dümling
Richard A. Etlin
Karen A. Fiss
Keith Holz
Kathleen James-Chakraborty
Paul B. Jaskot
Karen Koehler
Mary-Elizabeth O'Brien
Jonathan Petropoulos
Robert Jan van Pelt
Joachim Wolschke-Bulmahn and Gert Gröning
 

Contents

The Perverse Logic of Nazi Thought
1
I Weltanschauung
41
II Propaganda
137
III Empire Building
203
IV Appeasement
285
List of Contributors
369
Index
373
Copyright

Other editions - View all

Common terms and phrases

References to this book

About the author (2002)

Richard A. Etlin is a Distinguished University Professor at the School of Architecture, University of Maryland. He is the author of five books, most recently In Defense of Humanism: Value in the Arts and Letters and Symbolic Space: French Enlightenment Architecture and Its Legacy, the latter published by the University of Chicago Press.

Bibliographic information