Beckett's Dantes: Intertextuality in the fiction and criticismBeckett's Dantes: Intertextuality in the Fiction and Criticism is the first study in English on the literary relation between Beckett and Dante. It is an innovative reading of Samuel Beckett and Dante's works and a critical engagement with contemporary theories of intertextuality. It is an informative intertextual reading of Beckett's work, detecting previously unknown quotations, allusions to, and parodies of Dante in Beckett's fiction and criticism. The volume interprets Dante in the original Italian (as it appears in Beckett), translating into English all Italian quotations. It benefits from a multilingual approach based on Beckett's published works in English and French, and on manuscripts (which use English, French, German and Italian). Through a close reading of Beckett's fiction and criticism, the book will argue that Dante is both assumed as an external source of literary and cultural authority in Beckett's work, and also participates in Beckett's texts' sceptical undermining of authority. Moreover, the book demonstrates that the many references to various 'Dantes' produce 'Mr Beckett' as the figure of the author responsible for such a remarkably interconnected oeuvre. The book is aimed at the scholarly communities interested in literatures in English, literary and critical theory, comparative literature and theory, French literature and theory and Italian studies. Its jargon-free style will also attract third-year or advanced undergraduate students, and postgraduate students, as well as those readers interested in the unusual relationship between one of the greatest writers of the twentieth century and the medieval author who stands for the very idea of the Western canon. |
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Contents
Belacqua does not observe the rule of the road | |
intratextuality in More Pricks Than | |
Murphy and Watt | |
Who is the third beside you? Authority in Mercier | |
from the Novellas to the Three Novels | |
Staging the Inferno in How It | |
The Lost Ones | |
farewell to the old lutist | |
Other editions - View all
Beckett's Dantes: Intertextuality in the Fiction and Criticism Daniela Caselli No preview available - 2005 |
Common terms and phrases
Addenda allusions already appears argues authority becomes beginning Belacqua body c’est called Calmative Camier canto chapter character claims close Comedy construction creates critical damned Dante Dante’s Dantean described discussion Dream English example existence eyes face fiction figure French further Hell idea impossible indicates Inferno interpretation intertextual intratextual invisible Italy Joyce language later less light literary literature London look Lost material meaning memory Mercier movement Murphy narrative narrator nature notion observed once opening origin Paris passage plays poem poet position possible presence Press Purg Purgatorio question quotation quoted reality reference relation repetition reproduced rest Samuel Beckett scribe seen sense souls space speak story structure Studies textual translated turn University University Press vernacular Virgil visibility voice Watt witness writing York