Tragedy in Paradise: Family and Gender Politics in German Bourgeois Tragedy, 1750-1850

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Camden House, 1996 - 136 pages
Examination of the German genre of `bourgeois tragedy', bringing out its underlying characteristics.

Bürgerliches Trauerspiel' or bourgeois tragedy is the most popularly acclaimed and critically documented form of German drama. From the mid-eighteenth century, some of Germany's greatest dramatists turned away from classical subjects to focus instead on the intricate internecine struggles of the middle-class family. This book views bourgeois tragedy and related forms of 'family' drama as depicting the enactment of a threat to stability and domestic order, organised so that the threat is defeated and the anxieties of the predominantly middle-class audience relieved; the author argues that these threats are represented as emanating from female figures who oppose and challenge the authority and order of a father or husband. Texts examined include Klinger's Sturm und Drang, Goethe's Stella and Die natürliche Tochter, Kleist's 'Über das Marionettentheater' and Hebbel's Maria Magdalene.

 

Contents

The London Merchant Lessings Critical Detour from
24
StarGazing Authority Instinct and the Womens World
41
Das Wesen wär es wenn es nicht erschiene?
55
Kinder der Einsamkeit Goethes Variations
70
Kleists Über das Marionettentheater and the
91
Sara and Klara The Anachronistic Agonies of Hebbels
107
Conclusion
126
Copyright

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About the author (1996)

GAIL K. HART is Professor Emerita of German at the University of California, Irvine.

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