Writers Reading Writers: Intertextual Studies in Medieval and Early Modern Literature in Honor of Robert HollanderUniversity of Delaware Press, 2007 - 255 pages This volume is a collection of intertextual studies on medieval and early modern literature in honor of Robert Hollander by some of his former students. Writers are always also readers, responding to texts that have provoked their thought. The contributors to this volume all participate in its overarching theme: writers reading and responding to the work of other writers. As Hollander's work has focused especially on Dante and Boccaccio, many of the essays treat one of these writers, either as reading or as read by others. Other essays trace intertextual influences in Langland, Shakespeare, or post-Enlightenment writers faced with the loss of Dante's meaningful cosmos. |
From inside the book
Results 1-5 of 13
Page 28
... have I witnessed a fault ? Unwillingly did Acteon see Diana naked : not unlike me he became the prey of his own dogs . ] ( my translation ) By echoing Metamorphoses III in an autobiographic context through the 28 SIMONE MARCHESI.
... have I witnessed a fault ? Unwillingly did Acteon see Diana naked : not unlike me he became the prey of his own dogs . ] ( my translation ) By echoing Metamorphoses III in an autobiographic context through the 28 SIMONE MARCHESI.
Page 29
... Diana bathing , Actaeon stumbling upon her , the goddess's rage and revenge , the transfor- mation of the hero into a stag . The second part of the story is de- voted to the manner of Actaeon's death : his consciousness of the new ...
... Diana bathing , Actaeon stumbling upon her , the goddess's rage and revenge , the transfor- mation of the hero into a stag . The second part of the story is de- voted to the manner of Actaeon's death : his consciousness of the new ...
Page 30
... Diana metes out to the innocently guilty Actaeon : the sibylline words she pronounces right after she has half - instinctively , half - mali- ciously sprinkled the hunter's face with water , " now you are free to tell / that you have ...
... Diana metes out to the innocently guilty Actaeon : the sibylline words she pronounces right after she has half - instinctively , half - mali- ciously sprinkled the hunter's face with water , " now you are free to tell / that you have ...
Page 32
... Diana bathing ; he was turned into a stag and was devoured by his dogs , which did not recognize him . Anaximenes ... says that Actaeon was in love with the sport of hunting and , when he had reached maturity , had become timid because ...
... Diana bathing ; he was turned into a stag and was devoured by his dogs , which did not recognize him . Anaximenes ... says that Actaeon was in love with the sport of hunting and , when he had reached maturity , had become timid because ...
Page 33
... Diana dea venationis bene debet pro venatione poni . Quia vena- tionem tantum abhorruit , fingitur mutatus esse in ... Diana naked ; he was therefore changed into a stag and then torn to pieces by his dogs . The truth of the matter ...
... Diana dea venationis bene debet pro venatione poni . Quia vena- tionem tantum abhorruit , fingitur mutatus esse in ... Diana naked ; he was therefore changed into a stag and then torn to pieces by his dogs . The truth of the matter ...
Contents
| 21 | |
| 40 | |
Pagan Vision and Poetic Revisions | 58 |
Dante and the Dilemma of Judgment | 73 |
Reading Ovid through Dante in the House of Fame Book 3 | 89 |
Oerpressed Spirits in Shakespeares Pericles | 109 |
Ernst Robert Curtius and Dante as a Reader of Medieval Latin Authors | 133 |
Did Langland Read the Lignum Vitae? | 149 |
Classical and Vernacular Narrative Models for Art Biography in Vasaris Lives | 183 |
Maggis Griselda di Saluzzo | 201 |
Reading the PostEnlightenment Universe | 225 |
Contributors | 247 |
Index | 251 |
Commedia Index | |
Other editions - View all
Common terms and phrases
Actaeon allegory alliterative allusion Apollo Apollonius of Tyre artists Augustine Boccaccio Bonaventura Cambridge canto Carlo Maria Maggi Cerimon character Chaucer Christ Christian classical commentary Curtius Curtius's Dante Dante's Commedia Diana disegno divine English episode essay exile father figure Giotto Giovanni Giovanni Boccaccio Greek Griselda Gualtieri heaven hell hermeneutic Historia Apollonii Hollander's House of Fame human Inferno interpretation invocation Italian Jesus judgment Langland Leopardi's Lignum vitae literary literature Manto Marsyas medieval Latin ment Metamorphoses moral myth names narration narrative Ovid Ovid's Ovidian Oxford Paradiso Pericles Philomela Piers Plowman play poem poet poetic poetry political Princeton University Procne Purg Purgatorio readers reading Renaissance Ripheus Robert Hollander Romance scene Shakespeare sion Solomon soul spirit story Studies tale Tereus Thaisa theological tion tradition trans translation Tree of Charity University Press Vasari vatic vernacular Violante Virgil vision vita Christi vulgari eloquentia Will's words writing
Popular passages
Page 133 - Nel suo profondo vidi che s'interna legato con amore in un volume, ciò che per l'universo si squaderna; sustanze e accidenti e lor costume, quasi conflati insieme, per tal modo che ciò ch'i' dico è un semplice lume. La forma universal di questo nodo credo ch'i' vidi, perché più di largo, dicendo questo, mi sento ch'i
Page 21 - Poi che fu piacere de li cittadini de la bellissima e famosissima figlia di Roma, Fiorenza, di gittarmi fuori del suo dolce seno — nel quale nato e nutrito fui in fino al colmo de la vita mia...
Page 192 - L' angel che venne in terra col decre'to della molt' anni lagrimata pace, che aperse il ciel dal suo lungo divieto, dinanzi a noi pareva si verace quivi intagliato in un atto soave, che non sembiava imagine che tace. Giurato si saria ch' ei dicesse; Ave, pero che ivi era imaginata quella, che ad aprir l
Page 46 - Lo naturale è sempre sanza errore, ma l'altro puote errar per malo obietto o per troppo o per poco di vigore. Mentre ch'elli è nel primo ben diretto, e ne...
Page 117 - Helicanus, strike me, honour'd sir; Give me a gash, put me to present pain; Lest this great sea of joys rushing upon me, O'erbear the shores of my mortality, And drown me with great sweetness.
Page 23 - ... multas esse perpendimus firmiterque censemus et magis nobiles et magis delitiosas et regiones et urbes quam Tusciam et Florentiam, unde sumus oriundus et civis, et plerasque nationes et gentes delectabiliori atque utiliori sermone uti quam Latinos.
Page 73 - ... d'inferno è da essa; cignesi con la coda tante volte quantunque gradi vuol che giù sia messa. Sempre dinanzi a lui ne stanno molte: vanno a vicenda ciascuna al giudizio, dicono e odono e poi son giù volte. "O tu che vieni al doloroso ospizio...
Page 106 - Ernst Robert Curtius, European Literature and the Latin Middle Ages, trans.
Page 102 - Then pardon, O most sacred happie spirit ! That I thy labours lost may thus revive, And steale from thee the meede of thy due merit, That none durst ever...
Page 76 - 1 verno prima II prun mostrarsi rigido e feroce, Poscia portar la rosa in su la cima: E legno vidi già dritto e veloce Correr lo mar per tutto suo cammino, Perire al fine all