The Figure of Beatrice: A Study in Dante

Front Cover
Boydell & Brewer Ltd, 1994 - 236 pages
Dante is unequalled among poets in conveying an extraordinary intensity of thought and experience, but this very power may make his work seem formidable to approach. Charles Williams's Figure of Beatriceis outstanding amongst Dante scholarship and criticism for the sympathetic enthusiasm and clarity with which he eases that approach without simplifying the achievement in a highly personal introduction to Dante's work. The first half of the book traces the way in which the central image of Beatrice, representing transcendent beauty in feminine form, animates Dante's earlier works. The second half richly expounds The Divine Comedy, meditating on its significance in Dantesque terms. Williams foreshadows the valuable modern emphasis on Dante as philosopher-poet; he also touches on many later concerns in Dante criticism, including ambiguities of language, the inherent self-contradiction of all powerful discourse, and the place of the feminine. The Figure of Beatrice is also a moving and poetic work in its own rightCHARLES WILLIAMS(1886-1945) is known to many as a prolific and unusual playwright, novelist and critic; his poetic works include Taliessin through Logres' and The Region of the Summer Stars'.
 

Contents

INTRODUCTION page
7
BEATRICE
17
THE DEATH OF BEATRICE
31
THE CONVIVIO
52
THE NOBLE LIFE
69
THE DE MONARCHIA AND THE EXILE
86
THE MAKING OF THE COMMEDIA
100
THE INFERNO
107
THE PURGATORIO
145
THE REASSERTION OF BEATRICE
175
THE PARADISO
190
THE RECOLLECTION OF THE WAY
224
INDEX
233
Copyright

Other editions - View all

Common terms and phrases

About the author (1994)

Charles Walter Stansby Williams was born In London on September 20, 1886. The author and scholar was educated at St. Alban's School and at University College, London. In 1917 Williams married Florence Conway and had one son. In 1908 Williams joined the Oxford University Press and remained a member of the staff until his death. In 1912 he published his first book of verse, The Silver Stair, and, for the next thirty-three years wrote and lectured tirelessly. In that time he produced over thirty volumes of poetry, plays, literary criticism, fiction, biography, and theological argument. Among the many titles he produced are The English Poetic Mind (1932), Reason and Beauty in the Poetic Mind (1933), The Figure of Beatrice (1943). Taliessin through Logres (1938), The Region of the Summer Stars (1944), He Came Down from Heaven (1938), The Descent of the Dove (1939). Among his biographical works are Bacon (1933), James I (1934), Rochester (1935) and Queen Elizabeth (1936); and among his novels War in Heaven (1930), The Place of the Lion (1931), Many Dimensions (1931), Descent into Hell (1937) and All Hallows' Eve (1945). Charles Williams was an active member of the Inklings, an informal literary discussion group associated with the University of Oxford, England, for nearly two decades between the early 1930s and late 1949. The Inklings were literary enthusiasts who praised the value of narrative in fiction and encouraged the writing of fantasy. The Mythopoeic Scholarship Award in Inklings Studies is given to books on J.R.R. Tolkien, C.S. Lewis, and/or Charles Williams that make significant contributions to Inklings scholarship. Charles Williams died May 15, 1945 at Oxford. He is buried aside his wife and son in Holywell Cemetery, Oxford, next to St. Cross Church.

Bibliographic information