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What answer Beppo made to these demands
Is more than I know. He was cast away
About where Troy stood once, and nothing stands ;
Became a slave of course, and for his pay
Had bread and bastinadoes, till some bands
Of pirates landing in a neighbouring bay,
He join'd the rogues and prosper'd, and became
A renegado of indifferent fame.


But he grew rich, and with his riches grew so
Keen the desire to see his home again,
He thought himself in duty bound to do so,
And not be always thieving on the main;
Lonely he felt, at times, as Robin Crusoe,

And so he hired a vessel come from Spain,
Bound for Corfu: she was a fine polacca,

Mann'd with twelve hands, and laden with tobacco.


Himself, and much (heaven knows how gotten!) cash,
He then embark'd with risk of life and limb,
And got clear off, although the attempt was rash;
He said that Providence protected him
For my part, I say nothing lest we clash

In our opinions: well, the ship was trim, Set sail, and kept her reckoning fairly on, Except three days of calm when off Cape Bonn.


They reach'd the island, he transferr'd his lading,
And self and live stock, to another bottom,
And pass'd for a true Turkey-merchant, trading
With goods of various names, but I've forgot 'em.
However, he got off by this evading,

Or else the people would perhaps have shot him ;
And thus at Venice (1) landed to reclaim
His wife, religion, house, and Christian name.


His wife received, the patriarch re-baptized him,
(He made the church a present, by the way) ;
He then threw off the garments which disguised him,
And borrow'd the Count's smallclothes for a day :
His friends the more for his long absence prized him,
Finding he'd wherewithal to make them gay,
With dinners, where he oft became the laugh of

For stories-but I don't believe the half of them.

(I) ["You ask me," says Lord Byron, in a letter written in 1820, "for a volume of Manners, &c. on Italy. Perhaps I am in the case to know more of them than most Englishmen, because I have lived among the natives, and in parts of the country where Englishmen never resided before (I speak of Romagna and this place particularly); but there are many reasons why I do not choose to treat in print on such a subject. Their moral is not your moral; their life is not your life; you would not understand it: it is not English, nor French, nor German, which you would all understand. The conventual education, the cavalier servitude, the habits of thought and living, are so entirely different, and the difference becomes so much more striking the more you live intimately with them, that I know not how to make you comprehend a people who are at once temperate and profligate, serious in their characters and buffoons in their amusements, capable of impressions and passions, which are at once sudden and durable (what you find in no other nation), and who actually have no society (what we would call so), as you may see by their comedies; they have no real comedy, not even in Goldoni, and that


Whate'er his youth had suffer'd, his old age
With wealth and talking make him some amends;
Though Laura sometimes put him in a rage,

I've heard the Count and he were always friends. My pen is at the bottom of a page,

Which being finish'd, here the story ends; 'Tis to be wish'd it had been sooner done, But stories somehow lengthen when begun. (1)

is because they have no society to draw it from. Their conversazioni are not society at all. They go to the theatre to talk, and into company to hold their tongues. The women sit in a circle, and the men gather into groups, or they play at dreary faro, or lotto reale,' for small sums. Their academie are concerts like our own, with better music and more form. Their best things are the carnival balls and masquerades, when every body runs mad for six weeks. After their dinners and suppers they make extempore verses and buffoon one another; but it is in a humour which you would not enter into, ye of the north. "In their houses it is better. As for the women, from the fisherman's wife up to the nobil dama, their system has its rules, and its fitnesses, and its decorums, so as to be reduced to a kind of discipline or game at hearts, which admits few deviations, unless you wish to lose it. They are extremely tenacious, and jealous as furies, not permitting their lovers even to marry if they can help it, and keeping them always close to them in public as in private, whenever they can. In short, they transfer mar. riage to adultery, and strike the not out of that commandment. The reason is, that they marry for their parents, and love for themselves. They exact fidelity from a lover as a debt of honour, while they pay the husband as a tradesman, that is, not at all. You hear a person's character, male or female, canvassed not as depending on their conduct to their husbands or wives, but to their mistress or lover. If I wrote a quarto, I don't know that I could do more than amplify what I have here noted."]

(1) [This extremely clever and amusing performance affords a very curious and complete specimen of a kind of diction and composition of which our English literature has hitherto presented very few examples. It is, in itself, absolutely a thing of nothing-without story, characters, sen. timents, or intelligible object; -a mere piece of lively and loquacious prattling, in short, upon all kinds of frivolous subjects, - a sort of gay and desultory babbling about Italy and England, Turks, balls, literature, and fish sauces. But still there is something very engaging in the uniform gaiety, politeness, and good humour of the author, and something still

more striking and admirable in the matchless facility with which he has cast into regular, and even difficult, versification the unmingled, unconstrained, and unselected language of the most light, familiar, and ordinary conversation. With great skill and felicity, he has furnished us with an example of about one hundred stanzas of good verse, entirely composed of common words, in their common places; never presenting us with one sprig of what is called poetical diction, or even making use of a single inversion, either to raise the style or assist the rhyme—but running on in an inexhaustible series of good easy colloquial phrases, and finding them fall into verse by some unaccountable and happy fatality. In this great and characteristic quality it is almost invariably excellent. In some other respects, it is more unequal. About one half is as good as possible, in the style to which it belongs; the other half bears, perhaps, too many marks of that haste with which such a work must necessarily be written. Some passages are rather too snappish, and some run too much on the cheap and rather plebeian humour of out-of-the-way rhymes, and strange-sounding words and epithets. But the greater part is extremely pleasant, amiable, and gentlemanlike. — — JEFFREY.]


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