Dante and Medieval Latin TraditionsIn this book, Peter Dronke illustrates how medieval Latin traditions can help us to understand Dante's great poem 'The Divine Comedy'. He first discusses medieval conceptions of allegory and vision, image and metaphor, symbol and myth, as well as some of Dante's own insights into the nature of poetic meaning. Later chapters relate particular moments in the Comedy - the giants in Inferno, the apocalyptic showings in Purgatorio, and the solar heaven in Paradiso - to Dante's Latin inheritance. All quotations from Italian are accompanied by English translations. |
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Contents
The Commedia and Medieval Modes of Reading | 1 |
The Giants in Hell | 32 |
The Phantasmagoria in the Earthly Paradise | 55 |
The First Circle in the Solar Heaven | 82 |
Excursus | 103 |
Notes | 125 |
148 | |
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Common terms and phrases
Alan allegory Beatrice becomes begins believe Boethius bring cadences called Cangrande canto chariot Christ cited claim close Commedia commentators concept creator Dante Dante's death detailed discussed divine eagle earth earthly Epistle expressions eyes figure follow giants give given hand heaven hidden human imaginative instance intellectual interpretation Italy kind knowledge known language Latin less Liber light lines literally meaning medieval metaphor mind moments move nature Nemroth Nimrod opening Paradiso passage planus poem poet poetic poetry possible prophet question quod reader relation scholars seems seen sense sentences Siger Song souls speaks sphere stars suggest tardus tells things Thomas thought tower tree true turn understanding velox Vergil vision writings